New Avenue towards Historical Instruments

I’m so happy to share that I’ve been accepted to the Conservatoire National Supérieur de Musique et de Danse de Paris to study historical performance and fortepiano.

The fortepiano has become an instrument where I feel I can find real expressive freedom, spontaneity, and a richness of color that varies so much from one instrument to the next. What fascinates me in the historical approach is its inherent vocal flexibility, a quality I find echoed in the playing of early 20th-century pianists, whose freedom seems to me to be deeply rooted in much older performance traditions. I am excited that this path will not only deepen my historical knowledge but also enrich my playing as a whole.